MARC details
000 -LEADER |
fixed length control field |
02616nam a2200325Ia 4500 |
001 - CONTROL NUMBER |
control field |
292090 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
0000000000 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20210120101450.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
150513s2015 ph b 001 0 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9789715427609 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
18616424 |
040 ## - CATALOGING SOURCE |
Description conventions |
rda |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN 2087.P6 |
Item number |
.T431 2015 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Tiatco, Sir Anril Pineda, |
9 (RLIN) |
30426 |
245 #0 - TITLE STATEMENT |
Title |
Entablado : |
Remainder of title |
theaters and performances in the Philippines / |
Statement of responsibility, etc. |
Sir Anril Pineda Tiatco. |
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Diliman, Quezon City : |
Name of producer, publisher, distributor, manufacturer |
University of the Philippines Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2015];©2015 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xii, 209 pages |
Dimensions |
23 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 185-200) and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
A collection of essays, this book attempts to continue the conversation on theater and performance studies in the context of Philippine scholarship. In the discussions, the trope of entablado is used as a central idiom. Here the use of entablado is twofold. First, entablado refers to its literal meaning, as a space on which a performance takes place. The space of the performance, however, is not only confined to the walls of an auditorium. It may be in a street, a foyer of a huge cultural landmark, a river, or a school auditorium. Also, the space may not necessarily be a location exclusively for an artistic performance. It may be a space where people gather for the Divine, for entertainment, for a political protest, or for an academic conversation. Second, entablado is used here as a signpost for both ambivalence and exact possibility. Borrowing the Hispanic origin of the term, entablar, entablado may be translated into English as "to strike," "to begin," or "to initiate." The ambivalence is in the concept's determinism, which also has Hispanic origins, that seems to be suggestive of a need for a discipline in Philippine academia where the starting point is this space of entablado (theater and performance). Entablado is a link to the more traditional disciplines of literary studies in which the stage is read as a cultural text. [I]t is also a departure from the literary paradigm to ... cultural performance ... where the possibilities of striking, initiating, and beginning take place. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Stage management |
9 (RLIN) |
31393 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Stage presentations. |
9 (RLIN) |
46839 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Theaters |
9 (RLIN) |
31394 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Theaters |
9 (RLIN) |
31394 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Filipiniana |