The Seven basic plots : (Record no. 59316)

MARC details
000 -LEADER
fixed length control field 02074nam a2200265Ia 4500
001 - CONTROL NUMBER
control field 81596
003 - CONTROL NUMBER IDENTIFIER
control field 0000000000
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211103212611.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 050905s2005 000 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 826452094
035 ## - SYSTEM CONTROL NUMBER
System control number (AEA)8E496EFA19164B578BFEB91D94755D54
040 ## - CATALOGING SOURCE
Original cataloging agency AEA
Transcribing agency AEA
Description conventions rda
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number R PN 3378 .B644s 205
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Booker, Christopher.
9 (RLIN) 91236
245 #4 - TITLE STATEMENT
Title The Seven basic plots :
Remainder of title why we tell stories /
Statement of responsibility, etc. Christopher Booker.
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Continuum,
Date of production, publication, distribution, manufacture, or copyright notice [2005];copyright 2005
300 ## - PHYSICAL DESCRIPTION
Extent viii, 728 p.
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
338 ## - CARRIER TYPE
Carrier type term volume
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. Part I "The Seven Gateways To The Underworld" examines each of the seven "basic plots". Outlines certain key elements in common and shows how each is in fact presenting its own particular view of the same central preoccupation which lies at the heart of storytelling. Part II "The Complete Happy Ending", looks more generally at what these main story-types have in common. It is pointed out that there are not only basic plots to stories but a cast of basic figures who reappear through stories of all kinds, each with their own defining characteristics. Also shows that there are certain conditions which must be met before any story can come to a fully resolved ending. Part III "Missing The Mark", concentrates almost entirely on stories from the last 200 years, explores how and why it is possible, in a storyteller's imagination, for a story to go wrong, or "lose the plot". Provides the clues to understanding what has gone amiss, and why they cannot come to fully satisfactory endings. Part IV "Why We Tell Stories", relate myths about the creation of the world and "the fall from innocence", to the evolution of human consciousness and man's relations to nature and instinct. "In " The Seven Basic Plots: why we tell stories" 2005
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Literature
Source of heading or term sears
9 (RLIN) 10619
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Plots (Drama, novel, etc.).
Source of heading or term sears
9 (RLIN) 42919
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Reference
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Inventory number Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
        Aklatang Emilio Aguinaldo-Information Resource Center Aklatang Emilio Aguinaldo-Information Resource Center Reference 09/05/2005 REF-043807   PN 3378 .B644s 2005 3AEA0000287690 11/03/2021 11/03/2021 Reference