The Seven basic plots : (Record no. 59316)
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000 -LEADER | |
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fixed length control field | 02074nam a2200265Ia 4500 |
001 - CONTROL NUMBER | |
control field | 81596 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | 0000000000 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20211103212611.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 050905s2005 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 826452094 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (AEA)8E496EFA19164B578BFEB91D94755D54 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | AEA |
Transcribing agency | AEA |
Description conventions | rda |
050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | R PN 3378 .B644s 205 |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Booker, Christopher. |
9 (RLIN) | 91236 |
245 #4 - TITLE STATEMENT | |
Title | The Seven basic plots : |
Remainder of title | why we tell stories / |
Statement of responsibility, etc. | Christopher Booker. |
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | London : |
Name of producer, publisher, distributor, manufacturer | Continuum, |
Date of production, publication, distribution, manufacture, or copyright notice | [2005];copyright 2005 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | viii, 728 p. |
Dimensions | 24 cm. |
336 ## - CONTENT TYPE | |
Content type term | text |
Source | rdacontent |
338 ## - CARRIER TYPE | |
Carrier type term | volume |
Source | rdacarrier |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Part I "The Seven Gateways To The Underworld" examines each of the seven "basic plots". Outlines certain key elements in common and shows how each is in fact presenting its own particular view of the same central preoccupation which lies at the heart of storytelling. Part II "The Complete Happy Ending", looks more generally at what these main story-types have in common. It is pointed out that there are not only basic plots to stories but a cast of basic figures who reappear through stories of all kinds, each with their own defining characteristics. Also shows that there are certain conditions which must be met before any story can come to a fully resolved ending. Part III "Missing The Mark", concentrates almost entirely on stories from the last 200 years, explores how and why it is possible, in a storyteller's imagination, for a story to go wrong, or "lose the plot". Provides the clues to understanding what has gone amiss, and why they cannot come to fully satisfactory endings. Part IV "Why We Tell Stories", relate myths about the creation of the world and "the fall from innocence", to the evolution of human consciousness and man's relations to nature and instinct. "In " The Seven Basic Plots: why we tell stories" 2005 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Literature |
Source of heading or term | sears |
9 (RLIN) | 10619 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Plots (Drama, novel, etc.). |
Source of heading or term | sears |
9 (RLIN) | 42919 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Reference |
Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Inventory number | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Aklatang Emilio Aguinaldo-Information Resource Center | Aklatang Emilio Aguinaldo-Information Resource Center | Reference | 09/05/2005 | REF-043807 | PN 3378 .B644s 2005 | 3AEA0000287690 | 11/03/2021 | 11/03/2021 | Reference |