MARC details
| 000 -LEADER |
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| fixed length control field |
02656nam a2200277Ia 4500 |
| 001 - CONTROL NUMBER |
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| control field |
175261 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
0000000000 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20211104025816.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
010922s2002 enkm bkq a001 0beng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
826458939 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(AEA)9110D210B56C4932BBEB3248A8B8FB45 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)48038462 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML 420.H1166 |
| Item number |
.W672 2002 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Williams, Iain Cameron, |
| Dates associated with a name |
-1953 |
| 9 (RLIN) |
107335 |
| 245 #0 - TITLE STATEMENT |
|---|
| Title |
Underneath a Harlem moon : |
| Remainder of title |
the Harlem to Paris years of Adelaide Hall / |
| Statement of responsibility, etc. |
Iain Cameron Williams. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Continuum, |
| Date of publication, distribution, etc. |
2002 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 428 p. : |
| Other physical details |
ill. |
| Dimensions |
24 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (p. [420]-421) and index. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Movies, 1921-38: p. [403] |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Recordings, 1921-38: p. [399]-402. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Adelaide Hall is the missing link in Harlem's Renaissance, historically the richest period of American black culture. As its most important and influential female star, she dynamically pushed down the barriers that had previously prevented black entertainers from reaching mass recognition. The astounding media attention she received on both sides of the Atlantic during her two-year starring role in Lew Leslie's Broadway revue Blackbirds of 1928 turned Adelaide into what can only be termed the first modern-day international black female superstar.With fame came controversy. On Broadway, Adelaide's performance incited a riot. After purchasing an exclusive estate in the predominantly white suburb of Larchmont in Westchester, New York, the segregation and persecution she encountered from her racist neighbors hit national headlines.In Underneath a Harlem Moon, Williams takes the reader on a fascinating roller-coaster ride from Adelaide's birth in Brooklyn through her humble childhood in Harlem, from her triumphs on Broadway to the glamour of Paris's Moulin Rouge. Readers get a glimpse inside the most sophisticated and celebrated nightclubs in the world and follow Adelaide across two continents on a groundbreaking eighteen-month RKO tour. By the end of 1932, Adelaide had performed for millions and in the process had become one of America's wealthiest black women. Her exile to Paris in 1935 brought with it new challenges and rewards. By 1938, not content with being dubbed the Queen of Montmartre, she set her sights on conquering Britain. Underneath a Harlem Moon concludes with Adelaide's mysterious disappearance in November 1938, which has, until now, never been publicly explained. www.alibris.com |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Women jazz singers |
| 9 (RLIN) |
107336 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
American Learning Resource |
