African-American artists, 1880-1987 : (Record no. 76353)

MARC details
000 -LEADER
fixed length control field 02372nam a2200289Ia 4500
001 - CONTROL NUMBER
control field 177584
003 - CONTROL NUMBER IDENTIFIER
control field 0000000000
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211104033240.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 881215s1989 dcum bbc a00010 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 295968362
035 ## - SYSTEM CONTROL NUMBER
System control number (AEA)4E72FED04A964714A6262408732E697D
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number N 6538.N5
Item number .M154 1989
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name McElroy, Guy C.
9 (RLIN) 109694
245 #0 - TITLE STATEMENT
Title African-American artists, 1880-1987 :
Remainder of title selections from the Evans-Tibbs Collection /
Statement of responsibility, etc. Guy C. McElroy, Richard J. Powell, Sharon F. Patton ; introduction by David C. Driskell.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. Washington, D.C. :
Name of publisher, distributor, etc. Smithsonian Institution Traveling Exhibition Service, in association with University of Washington Press, Seattle,
Date of publication, distribution, etc. 1989
300 ## - PHYSICAL DESCRIPTION
Extent 125 p. :
Other physical details ill. (some col.)
Dimensions 29 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Bibliography: p. 125.
520 ## - SUMMARY, ETC.
Summary, etc. however, his dry, formalistic analyses of various works do not address what their makers might have had in common aside from race. Fortunately, Powell, program director for the Washington D.C. Project for the Arts, and Patton, chief curator of Harlem's Studio Museum, who respectively cover the periods 1920-1950 and 1950-1987, relate the pieces in the collection to one another, placing them in a socio-historical context. Color reproductions of 75 works are well integrated and commendably diverse, and include art by Elizabeth Catlett, whose subjects address societal inequities, and by Charles Alston, who in the 1930s led the influential Harlem Art Workshop and who was equally adept at figurative and abstract representation. Prints, etchings such as those of Henry O. Tanner, whose works are marked by religious themes, and the folk art of Bill Traylor, who at 85 began to draw on cardboard scraps, complement the oil paintings depicted here. Copyright 1989 Reed Business Information, Inc."www.shelfari.com"
520 ## - SUMMARY, ETC.
Summary, etc. Three essays in this companion volume to a traveling exhibition trace the artistic and political forces shaping African-American art of the last century. McElroy, guest curator at the Corcoran Gallery in Washington, D.C., explores the years 1880-1920
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element African American art
Geographic subdivision United States
9 (RLIN) 109695
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Art, American
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Art, Modern
9 (RLIN) 33805
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Patton, Sharon F.
9 (RLIN) 109696
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Powell, Richard J.,
9 (RLIN) 109697
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type American Learning Resource
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Inventory number Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
        Aklatang Emilio Aguinaldo-Information Resource Center Aklatang Emilio Aguinaldo-Information Resource Center   04/26/2011 ALRC-001758   N 6538.N5 .M154 1989 9ALRC201101758 11/04/2021 11/04/2021 American Learning Resource