MARC details
000 -LEADER |
fixed length control field |
02263nam a2200241Ia 4500 |
001 - CONTROL NUMBER |
control field |
177911 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
0000000000 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20211104034016.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
930108s1993 txum b a001 0 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
292765495 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(AEA)E9975F13F8DE4E27810A92472717DBBD |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN 1995.9.S6 |
Item number |
.P585 1993 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Pick, Zuzana M. |
9 (RLIN) |
110256 |
245 #4 - TITLE STATEMENT |
Title |
The new Latin American cinema : |
Remainder of title |
a continental project / |
Statement of responsibility, etc. |
Zuzana M. Pick. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc. |
Austin : |
Name of publisher, distributor, etc. |
University of Texas Press, |
Date of publication, distribution, etc. |
1993 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
x, 251 p. |
Dimensions |
23 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (p. [229]-241) and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This work takes Latin American film scholarship to a new level of critical, conceptual, and methodological sophistication. Zuzana Pick frames key questions through a judicious, even inspired choice of films. Her interpretations are superb. Perceptive, analytically broad-ranging, critically compelling, they set a new standard for the field. --julianne burton-carrajal, editor of cinema and social change in latin america: conversations with filmmakers During the 1967 festival of Latin American Cinema in Vina del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices. This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry--history, authorship, gender, popular cinema, ethnicity, and exile--and explores them through detailed discussions of nearly twenty films and their makers, including Camila (Maria Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy. www.alibris.com |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures |
Geographic subdivision |
Latin America. |
9 (RLIN) |
110257 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion pictures |
Geographic subdivision |
Latin America. |
9 (RLIN) |
110257 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
American Learning Resource |