Philippine modernities : music, peforming arts, and language, 1880 to 1941 / José S. Buenconsejo, editor.
Material type: TextDiliman, Quezon City : University of the Philippines Press, [2017]Description: xxv, 523 pages 26 cmContent type:- text
- unmediated
- volume
- 9789715428491 (soft)
- ML 3758 .P538 2018
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
Filipiniana | Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | ML 3758 .P538 2018 (Browse shelf(Opens below)) | Available | 3FIL2018016011 | ||
Filipiniana | Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | ML 3758 .P538 2018 (Browse shelf(Opens below)) | Available | 3FIL2018016012 |
Browsing Aklatang Emilio Aguinaldo-Information Resource Center shelves, Shelving location: Filipiniana Close shelf browser (Hides shelf browser)
No cover image available | ||||||||
ML 3758.P5 .Sa99 2018 Saysay himig : a sourcebook on Philippine music history, 1880-1941 / | ML 3758.P5 .Sa99 2018 Saysay himig : a sourcebook on Philippine music history, 1880-1941 / | ML 3758 .P538 2018 Philippine modernities : music, peforming arts, and language, 1880 to 1941 / | ML 3758 .P538 2018 Philippine modernities : music, peforming arts, and language, 1880 to 1941 / | ML 3790 .C25 1995 Bencab's rock sessions. / | ML 3798 .Sa59 2017 The Vocal repertoire of the Ibaloi from kabayan = ang repertoryong pantinig ng Ibaloi sa kabayan / | ML 3798 .Sa59 2017 The Vocal repertoire of the Ibaloi from kabayan = ang repertoryong pantinig ng Ibaloi sa kabayan / |
Includes bibliographical references and index.
This book is about a particular cultural history of modernity in the Philippines from the 1880s to 1941. Essays by explore salient questions such as: How did the capitalist practices of market exchange engender new sets of individual relationships within the already transformed Philippine society set by urbanization and secularization? How did arts and language articulate a new sense of belonging to this new social order? How did the politics of identity fare in the struggle of arts as social signs? In what ways did this modernity push for the establishment of a sovereign Philippine national culture? How did music, related performing arts, and language reflexively and critically engage these cultural changes? What kind of music were suited for a modern Philippine? What language was to be used as the official language of the independent state? The book therefore advances our understanding on how entanglements with the social practices of modernity led to significant local cultural transformation that were unique to Filipino experience. --Back cover of the book.
There are no comments on this title.