Mary Cassalt.
Material type:
TextPublication details: New York : Rizzoli International Pub, c1992.Subject(s): LOC classification: - R ND 237.C3 M424 1992
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Aklatang Emilio Aguinaldo-Information Resource Center Reference | ND 237.C3.M424 1992 (Browse shelf(Opens below)) | Not for loan | 3AEAD00030042G |
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| ND 140 .C23 2001 The secret language of art. / | ND 192.I4 .Im77 2007 Impressionism. | ND 195 .V831 2002 Vitamin P : new perspectives in painting / | ND 237.C3.M424 1992 Mary Cassalt. | ND 237.H75 .R295 1990 Edward Hopper, 1882-1967 : transformation of the real / | ND 237.M75 .A75 2014 Samuel F.B. Morse's gallery of the Louvre and the art of invention / | ND 497.K463 .A4 1999 A Cosmic Cornucopia. / |
Mary Cassat's depiction of contemplative women and children have often been regarded as uniquely symbolic subjects in the restrictive Victorian era.Nancy Mowll Mathews explains how Cassat((1844-1926) was not an isolated phenomenon "but rather the product of a progressive epoch for women.Her oeuvre,based on feminine themes,represented women's newfound freedom and life-styles that can be pursued regardless of gender.Index to Colorplates:Head of Young Girl, at the Theater,The Loge,Lydia at a Tapestry Loom,Susan on a Balcony Holding a Dog,Lady at the Tea Table ,Young women Sewing in a Garden,The Letter,In the Omnibus,The bath,summertime,Patty-Cake,Simone in a White Bonnet.
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