A Portrait of the Artist as Filipino. / Nick Joaquin, adapted and illustrated by : Ramon B. Agapay.
Material type:
TextPublication details: Manila : National Book Store, [1966].Description: vi, 111 pages : illustrations 26 cmLOC classification: - PS 999.J62 .P838 1966
| Item type | Current library | Call number | Status | Date due | Barcode | |
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Isagani R. Cruz Collection
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Aklatang Emilio Aguinaldo-Information Resource Center | PS 9993.J62 .P838 1966 (Browse shelf(Opens below)) | Not for loan | 3IRC0000004454 | ||
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Isagani R. Cruz Collection
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Aklatang Emilio Aguinaldo-Information Resource Center | PS 9993.J62 .P838 1966 (Browse shelf(Opens below)) | Not for loan | 3IRC0000003351 | ||
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Isagani R. Cruz Collection
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Aklatang Emilio Aguinaldo-Information Resource Center | PS 9993.J62 .P838 1966 (Browse shelf(Opens below)) | Not for loan | 3IRC0000003385 | ||
Filipiniana
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9993.J62 .P838 1966 (Browse shelf(Opens below)) | Available | 3AEA0000286240 | ||
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Filipiniana
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9993.J62 .P838 1966 (Browse shelf(Opens below)) | Available | 3AEA0000285106 |
Browsing Aklatang Emilio Aguinaldo-Information Resource Center shelves, Shelving location: Filipiniana Close shelf browser (Hides shelf browser)
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| PS 9993.J38 .C281 1998 Catch me a firefly and other stories / | PS 9993.J62 .C315 1983 Cave and shadows / | PS 9993.J62 .C315 2003 Cave and shadows / | PS 9993.J62 .P838 1966 A Portrait of the Artist as Filipino. / | PS 9993.J62 .P838 1966 A Portrait of the Artist as Filipino. / | PS 9993.J62 .P838p 1966 A portrait of the artist as Filipino : (an elegy in three scenes). | PS 9993.J62 .T753 2003 Tropical gothic. / |
Philippine literary classic illustrated'. --Cover
A Portrait of the Artist as Filipino (1966), a celebrated play, attempts to reconcile historical events with dynamic change focusing on the western influences to the Filipino identity. It is an allusion to classical Greek mythology. But it is also a dual self-portrait of Don Lorenzo as both a young and old man.
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