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Protest/revolutionary art in the Philippines 1970-1990 / Alice G. Guillermo.

By: Material type: TextTextPublication details: Quezon City : University of the Philippines Press, c2001.Description: 257 p. : ill. 26 cmISBN:
  • 9715421679
Subject(s): LOC classification:
  • F N 8236 .P5 .G945 2001
Summary: This book is the fruit of two decades of research and association with the social realists and other protest and revolutionary artists in the subject which has consistently engaged the author. Here she goes to the origins of protest art in the 19th Century and pursues it to its full flourishing in the Marcos regime and to the forms it took during the Cory Aquino government. The examples have also been drawn from the production of the two decades. While the book traces the history of protest / revolutionary art, it also projects its trajectory into the future as new issues emerge to engage the political artist in the struggle for a just and truly human order.
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Holdings
Item type Current library Call number Status Date due Barcode
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana N 8236.P5 .G945 2001 (Browse shelf(Opens below)) Available 3AEA0000302523
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center N 8236.P5 .G945 2001 (Browse shelf(Opens below)) Not for loan 3IRC0000001116
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana N 8236.P5 .G945 2001 (Browse shelf(Opens below)) Available 3AEA0000277249
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana N 8236.P5 .G945 2001 (Browse shelf(Opens below)) Available 3AEA0000272945

This book is the fruit of two decades of research and association with the social realists and other protest and revolutionary artists in the subject which has consistently engaged the author. Here she goes to the origins of protest art in the 19th Century and pursues it to its full flourishing in the Marcos regime and to the forms it took during the Cory Aquino government. The examples have also been drawn from the production of the two decades. While the book traces the history of protest / revolutionary art, it also projects its trajectory into the future as new issues emerge to engage the political artist in the struggle for a just and truly human order.

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