Contemporary art in print. / edited by Patrick Elliot ; with an essay by Jereny Lewison.

some work with computers, and others work with video. The common denominator is that all the prints were commissioned and published by the Paragon Press between 1951 and 2000. "In" Contemporary Art in Print.Contents:Contemporary in print-Marc Quin,Emotional detoxification1995--Richard Deacon,Show & tell 1996-Peter Doig,Ten Etchings-1996 Langlands & Bell,Enclosure & Identity 1996,Demolished -1996,A series of twelve prints by six artists,1996,North Wales-1996,Grasshopper,1997Screen,1997,When I woke up in the morning,the feeling was still there,1997,Motif light,1998,wounds and absent objects,1998,Portraits,1998,Madron cuts,1998,Kilometre theatre and seven other seminal architectural projects,1998,Between space and time,1999,The disasters of war,1999,The brushwork series,1999,The last suppper,1999,Orchard tambourines,1999,The beekeeper,2000,Exquisite corpse,2000,Emulsion,2000,Spring angels,2000,Garden,2000.

Examines twenty-five print projects by thirty-two of Britain's leading artists. The prints - about three hundred and fifty in total - range from single images created for a group portfolio to a series of eigthy-three Disasters of War etchings made by Jake and Dinos Chapman. The artists span several generation a and cross various disciplines, from the screen artists who took part when they were in their late twenties or thirties and had, for the most part, little experience of printmaking, to Terry Frost and Patrick Heron who had been making prints for the best part of ffity years. Some of the artists are primarily painters