Perspective / Ruben de Vera.

By: Material type: TextTextPublication details: Davao : Campo, Escalante and de Vera c1982.Description: [1 folded sheet] : illustrations ; 44x45 cmSubject(s): LOC classification:
  • ND 1027 .D340 1982
Contents:
Symbolic head oils 1980, Refugees watercolor 1980, Bamboo and fern watercolor 1982, Wingspread oils 1980, Trees on a slope oils 1980, Overview oils 1980, Guardians of the forest oils 1980, After the night lacquer acrylic 1969, Meditation lacquer acrylic 1968, Nipa weaver watercolor 1980, Beast of burden watercolor 1982, Boar hunt oils 1979, Aguho trees watercolor 1981, Bay scene watercolor 1982, Campire at dusk oils 1978, The peasant gouche 1982, Torso wood sculpture 1965, Stilt house woodcut 1964, Gardaba watercolor 1982, Copra workers pen and ink 1981, Campfire at dusk oils 1978.
Summary: Contains the paintings of Ruben de Vera.He uses oil and water colors in his paintings yet earlier he experimented with lacquer acrylic in his search for durability and color freshness. De Vera paintings are most powerful with human figures.He paints them like he believes in them.
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Holdings
Item type Current library Call number Status Date due Barcode
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center ND 1027 .D340 1982 (Browse shelf(Opens below)) Not for loan 3IRC0000004205

Symbolic head oils 1980, Refugees watercolor 1980, Bamboo and fern watercolor 1982, Wingspread oils 1980, Trees on a slope oils 1980, Overview oils 1980, Guardians of the forest oils 1980, After the night lacquer acrylic 1969, Meditation lacquer acrylic 1968, Nipa weaver watercolor 1980, Beast of burden watercolor 1982, Boar hunt oils 1979, Aguho trees watercolor 1981, Bay scene watercolor 1982, Campire at dusk oils 1978, The peasant gouche 1982, Torso wood sculpture 1965, Stilt house woodcut 1964, Gardaba watercolor 1982, Copra workers pen and ink 1981, Campfire at dusk oils 1978.

Contains the paintings of Ruben de Vera.He uses oil and water colors in his paintings yet earlier he experimented with lacquer acrylic in his search for durability and color freshness. De Vera paintings are most powerful with human figures.He paints them like he believes in them.

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