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Toward a people's literature : essays in the dialecties of praxis and contradiction in Philippine writing / E. San Juan.

By: Material type: TextTextQuezon City : University of the Philippines Press, [1984].;copyright 1984Description: xv, 191 pages 24 cmContent type:
  • text
Carrier type:
  • volume
ISBN:
  • 9715424791
Subject(s): LOC classification:
  • PL 6142  .Sa58 1984
Summary: for democracy freedom, and justice-a struggle whose anguished ordeals and hope-filled ultimate victory this work celebrates. Summary: Initiating a precedent by his previous books-Carlos Bulosan and the imagination of the class struggle, The radical tradition in Philippine Literature, and Balagtas : Art and Revolution-E. San Juan, indisputably the most addacious and inventive Filipino critical intelligence today, aims to unfold a two-sided project in this collection : to explore the possibility of a materialist analysis of key texts in Philippine writing, and to establish the site for a deconstruction/reconstitution of the canon of our national literary heritage. Both spring from the fundamental premise that literature as an ideological form/process cannot be conceived that define any social formation. While the early essays like the explication of Balagtas' poem and the commentaries on specific novels betray the dialectical matrix they share with the theorizing of Lukacs and Sartre, the historical chapters and the assessment of Bulosan reflect a post-Althusserian and post-structuralist problematic aimed at interrogating the crisis of imperialist liberalism in the Philippine today. This is the first time in the Philippine scene that a rigorous avant-garde critical theorizing and materialist reading of texts as ideological practices inscribed in historical-political contradictions, has been attempted. In the future, San Juan hopes to advance his critique into the realm of cultural discourses/practices foregrounding sexuality, the family, the state, the educational apparatus, theater and media. Itself a product of contradictory processes, San Juan's ongoing project (of which this book is an instance) hopes to contribute to the Filipino people's struggle against imperialist hegemony and fascist oppression
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Holdings
Item type Current library Call number Status Date due Barcode
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PL 6142 .Sa58 1984 (Browse shelf(Opens below)) Available 3AEA0000317464
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PL 6142 .Sa58 1984 (Browse shelf(Opens below)) Not for loan 3IRC0000007911
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PL 6142 .Sa58 1984 (Browse shelf(Opens below)) Available 3AEA0000302529
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PL 6142 .Sa58 1984 (Browse shelf(Opens below)) Not for loan 3IRC0000003896
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PL 6142 .Sa58 1984 (Browse shelf(Opens below)) Not for loan 3IRC0000006988

for democracy freedom, and justice-a struggle whose anguished ordeals and hope-filled ultimate victory this work celebrates.

Initiating a precedent by his previous books-Carlos Bulosan and the imagination of the class struggle, The radical tradition in Philippine Literature, and Balagtas : Art and Revolution-E. San Juan, indisputably the most addacious and inventive Filipino critical intelligence today, aims to unfold a two-sided project in this collection : to explore the possibility of a materialist analysis of key texts in Philippine writing, and to establish the site for a deconstruction/reconstitution of the canon of our national literary heritage. Both spring from the fundamental premise that literature as an ideological form/process cannot be conceived that define any social formation. While the early essays like the explication of Balagtas' poem and the commentaries on specific novels betray the dialectical matrix they share with the theorizing of Lukacs and Sartre, the historical chapters and the assessment of Bulosan reflect a post-Althusserian and post-structuralist problematic aimed at interrogating the crisis of imperialist liberalism in the Philippine today. This is the first time in the Philippine scene that a rigorous avant-garde critical theorizing and materialist reading of texts as ideological practices inscribed in historical-political contradictions, has been attempted. In the future, San Juan hopes to advance his critique into the realm of cultural discourses/practices foregrounding sexuality, the family, the state, the educational apparatus, theater and media. Itself a product of contradictory processes, San Juan's ongoing project (of which this book is an instance) hopes to contribute to the Filipino people's struggle against imperialist hegemony and fascist oppression

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