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Bambi vs. Godzilla : on the nature, purpose, and practice of the movie business / David Mamet.

By: Material type: TextTextPublication details: New York : Pantheon Books, c2007.Description: xii, 250 p. 22 cmISBN:
  • 9780375422539
Subject(s): LOC classification:
  • PN 1993.5.U6 .M31 2007
Summary: In BAMBI VS. GODZILLA, David Mamet, the award-winning playwright and screenwriter, gives us an exhilaratingly subversive inside look at Hollywood from the perspective of a film-maker who has always played the game his own way. Who really reads scripts at the film studios? How is a screenplay like a personals ad? Whose opinion matters when revising a screenplay? Why are there so many producers listed in movie credits? And what the hell do those producers do, anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising and bracingly forthright answers to these and other questions about virtually every aspect of film-making, from concept to script to screen. Demigods and sacred cows of the movie business -- beware! But for the rest of us, Mamet speaking truth to Hollywood makes for searingly enjoyable reading, and will sit alongside classics like ADVENTURES IN THE SCREEN TRADE as essential primers on the movie business."www.alibris.com".
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Holdings
Item type Current library Call number Status Date due Barcode
American Learning Resource American Learning Resource Aklatang Emilio Aguinaldo-Information Resource Center PN 1993.5.U6 .M31 2007 (Browse shelf(Opens below)) Available 9ALRC201100170

Includes index.

Includes filmography: p. [207]-238.

In BAMBI VS. GODZILLA, David Mamet, the award-winning playwright and screenwriter, gives us an exhilaratingly subversive inside look at Hollywood from the perspective of a film-maker who has always played the game his own way. Who really reads scripts at the film studios? How is a screenplay like a personals ad? Whose opinion matters when revising a screenplay? Why are there so many producers listed in movie credits? And what the hell do those producers do, anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising and bracingly forthright answers to these and other questions about virtually every aspect of film-making, from concept to script to screen. Demigods and sacred cows of the movie business -- beware! But for the rest of us, Mamet speaking truth to Hollywood makes for searingly enjoyable reading, and will sit alongside classics like ADVENTURES IN THE SCREEN TRADE as essential primers on the movie business."www.alibris.com".

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