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A history of the Philippines : from Indio Bravos to Filipinos / Luis H. Francia.

By: Material type: TextTextPublication details: New York : Overlook Press, 2010Description: 352 p. : ill. 24 cmISBN:
  • 9781590202852
LOC classification:
  • DS 655 .F846 2010
Summary: Who were the Indios Bravos? Brilliant nineteenth-century polymath, doctor, bon vivant, and writer Jose Rizal and his friends gave themselves the name, half in jest and half in all seriousness, after having watched a Wild West show in Paris in 1889. Indio, of course, was the disparaging term the Spanish used for the indigenous populations in their colonies. Rizal and these other expatriate ilustrados, "enlightened ones," as they were referred to, admired both the excellent horsemanship and the dignity of the Native American performers-and recognized in them kindred spirits. They were indeed brave Indians, their peculiar status in the world mirroring somewhat that of the Filipinos themselves, who were highly critical of the Spanish colonial regime in Manila and who in Madrid and Barcelona advocated far-reaching reforms at the same time that they professed loyalty to Mother Spain. By appropriating the term meant to put them in their place, Los Indios Bravos were signaling the Spanish their intent to take charge of their destiny. It was a highly symbolic act, representing a paradigmatic shift in the burgeoning nationalist conciousness.
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Holdings
Item type Current library Call number Status Date due Barcode
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana DS 655 .F846 2010 (Browse shelf(Opens below)) Available 3AEA0000314318
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana DS 655 .F846 2010 (Browse shelf(Opens below)) Available 3AEA0000314317

Who were the Indios Bravos? Brilliant nineteenth-century polymath, doctor, bon vivant, and writer Jose Rizal and his friends gave themselves the name, half in jest and half in all seriousness, after having watched a Wild West show in Paris in 1889. Indio, of course, was the disparaging term the Spanish used for the indigenous populations in their colonies. Rizal and these other expatriate ilustrados, "enlightened ones," as they were referred to, admired both the excellent horsemanship and the dignity of the Native American performers-and recognized in them kindred spirits. They were indeed brave Indians, their peculiar status in the world mirroring somewhat that of the Filipinos themselves, who were highly critical of the Spanish colonial regime in Manila and who in Madrid and Barcelona advocated far-reaching reforms at the same time that they professed loyalty to Mother Spain. By appropriating the term meant to put them in their place, Los Indios Bravos were signaling the Spanish their intent to take charge of their destiny. It was a highly symbolic act, representing a paradigmatic shift in the burgeoning nationalist conciousness.

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