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Philippine studies : have we gone beyond St. Louis? / Priscelina Patajo-Legasto, editor.

Contributor(s): Material type: TextTextPublication details: Quezon City : University of the Philippines Press, c2008.Description: xxiii, 775 p. : ill. 26 cmISBN:
  • 9789715425919
Subject(s): LOC classification:
  • DS 653  .P538 2008
Summary: American colonial masculinity in Maximo Kalaw's The Filipino RebelSummary: and as a liberative space for new art and literary genresSummary: and the Orientalist knowledge-production on the bakla and gay identity by current Western scholars. Summary: anti-Modernismo in Illuminado Lucente's Waray satirical playsSummary: as affirmation of our "traditional" and "emergent" (because occluded) cultural practicesSummary: as site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarshipSummary: bourgeois theater in EnglishSummary: dissident art 1899-1941Summary: in short, a Philippine Studies that has gone beyond the classic Orientalist/racist discourses that informed the St. Louis World's fair of 1904, "a crowning display of American imperial power". Postcolonial analyses of colonial/imperialist discourses and anticolonial/anti-imperialist resistance are provided by John Blanco, Bienvenido Lumbera, Jose Duke Bagulaya, Judy Celine Ick, Marivi Soliven Blanco, Priscelina Patajo-Legasto, Jeremy Chavez, Reuben Cañete, R.K. Laurel, Ruth Jordana Pison, and Jose Neil Garcia on the following topics : counter-pastoral themes in the literatures of Tagalog and Filipino hispanophonic writersSummary: nation and narration in Cristina Pantoja Hidalgo's RecuerdoSummary: the 1915 San Diego, California "Rizal Dance Hall Murder Case" and US anti-miscegenation lawSummary: the 1998 Centennial Prize-winning novelsSummary: the connoisseurly brotherhood of 1960-80 modernist art criticsSummary: Philippine Studies : Have We Gone Beyond St. Louis? is a collection of thirty-five essays by Philippine and US-based scholars which illustrate the dynamism and complexities of the discursive field of Philippine Studies as critique of vestiges of "universalist" (Western/hegemonic) paragadigms
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Item type Current library Call number Status Date due Barcode
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana DS 653 .P538 2008 (Browse shelf(Opens below)) Available 3AEA0000317243

In English, with one article in Tagalog.

American colonial masculinity in Maximo Kalaw's The Filipino Rebel

and as a liberative space for new art and literary genres

and the Orientalist knowledge-production on the bakla and gay identity by current Western scholars.

anti-Modernismo in Illuminado Lucente's Waray satirical plays

as affirmation of our "traditional" and "emergent" (because occluded) cultural practices

as site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarship

bourgeois theater in English

dissident art 1899-1941

in short, a Philippine Studies that has gone beyond the classic Orientalist/racist discourses that informed the St. Louis World's fair of 1904, "a crowning display of American imperial power". Postcolonial analyses of colonial/imperialist discourses and anticolonial/anti-imperialist resistance are provided by John Blanco, Bienvenido Lumbera, Jose Duke Bagulaya, Judy Celine Ick, Marivi Soliven Blanco, Priscelina Patajo-Legasto, Jeremy Chavez, Reuben Cañete, R.K. Laurel, Ruth Jordana Pison, and Jose Neil Garcia on the following topics : counter-pastoral themes in the literatures of Tagalog and Filipino hispanophonic writers

nation and narration in Cristina Pantoja Hidalgo's Recuerdo

the 1915 San Diego, California "Rizal Dance Hall Murder Case" and US anti-miscegenation law

the 1998 Centennial Prize-winning novels

the connoisseurly brotherhood of 1960-80 modernist art critics

Philippine Studies : Have We Gone Beyond St. Louis? is a collection of thirty-five essays by Philippine and US-based scholars which illustrate the dynamism and complexities of the discursive field of Philippine Studies as critique of vestiges of "universalist" (Western/hegemonic) paragadigms

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