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Keywords : essays on Philippine media cultures and neocolonialisms / Rolando B. Tolentino.

By: Material type: TextTextQuezon City, Manila, Philippines : Ateneo de Manila University Press, [2016];ΓäùΓÖ¡2016Description: 376 pages : illustrations 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9715507611
  • 9789715507615
Subject(s): LOC classification:
  • P 94.65.P6 .T64 2016
Contents:
Introduction : keywords, Philippine media cultures and neocolonialisms -- Empire : gender and sexuality in U.S. colonialism -- Development : animation and development -- Abjection : dogeating/dogeaters -- Geography : popular discourse of Vietnam in the Philippines -- Primordiality : Japanese cinema's representation of the Philippines -- Hysteria : Japanese children's television in the Philippines -- Sovereignty : Japanese animation and Filipina comfort women -- Fatherland : nationalist films and modernity in South Korea, Taiwan, and the Philippines -- Masses : power and gangsterism in the films of Joseph "Erap" Estrada -- Judiciary : lack and excess in the representations of justice -- Piracy : regulation and the Filipino's historical response to globalization -- Vagination : cinema and globalization in the post-Marcos post-Brocka era -- Domesticity : female work and representation in contemporary women's films.
Summary: These essays form a conjectural historiography of how aspects of Philippine media shape and are shaped by various political, economical, and cultural infrastructures. As a whole, the collection renders visibly the forms, contents, and substantiations of the experiences of Philippine neocolonialisms and media cultures. Drawing from Raymond William's seminal and innovative work, Keywords, the essays trace the origin and development of key terms, concepts and words that have influenced and are influenced by Philippine media in the nation's transnational experience with neocolonialism. Philippine media becomes a symptom and receptacle of its own neocolonialisms. --Back cover of the book.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana P 94.65.P6 .T64 2016 (Browse shelf(Opens below)) Available 3FIL2018015946
Graduate Studies Graduate Studies DLSU-D GRADUATE STUDIES Graduate Studies Graduate Studies P 94.65.P6 .T64 2016 (Browse shelf(Opens below)) Available 3FIL2018015945

Includes bibliographical references (pages 351-367) and index

Introduction : keywords, Philippine media cultures and neocolonialisms -- Empire : gender and sexuality in U.S. colonialism -- Development : animation and development -- Abjection : dogeating/dogeaters -- Geography : popular discourse of Vietnam in the Philippines -- Primordiality : Japanese cinema's representation of the Philippines -- Hysteria : Japanese children's television in the Philippines -- Sovereignty : Japanese animation and Filipina comfort women -- Fatherland : nationalist films and modernity in South Korea, Taiwan, and the Philippines -- Masses : power and gangsterism in the films of Joseph "Erap" Estrada -- Judiciary : lack and excess in the representations of justice -- Piracy : regulation and the Filipino's historical response to globalization -- Vagination : cinema and globalization in the post-Marcos post-Brocka era -- Domesticity : female work and representation in contemporary women's films.

These essays form a conjectural historiography of how aspects of Philippine media shape and are shaped by various political, economical, and cultural infrastructures. As a whole, the collection renders visibly the forms, contents, and substantiations of the experiences of Philippine neocolonialisms and media cultures. Drawing from Raymond William's seminal and innovative work, Keywords, the essays trace the origin and development of key terms, concepts and words that have influenced and are influenced by Philippine media in the nation's transnational experience with neocolonialism. Philippine media becomes a symptom and receptacle of its own neocolonialisms. --Back cover of the book.

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