Film : American influences on Philippine cinema / Nick Deocampo.
Material type: TextManila : Anvil Publishing, ©2011Description: xiii, 600 pages : illustrations 24 cmContent type:- text
- volume
- 9789712726132
- PN 1993.5.P5 .D440 2011
Item type | Current library | Call number | Status | Date due | Barcode | |
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Isagani R. Cruz Collection | Aklatang Emilio Aguinaldo-Information Resource Center | PN 1993.5.P5 .D440 2011 (Browse shelf(Opens below)) | Not for loan | 3IRC0000008482 | ||
Isagani R. Cruz Collection | Aklatang Emilio Aguinaldo-Information Resource Center | PN 1993.5.P5 .D440 2011 (Browse shelf(Opens below)) | Not for loan | 3IRC0000008273 |
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PN 1992.92.A18 .P656 1999 Pinoy television : the story of ABS-CBN : the medium of our lives. | PN 1993.5.A7 .D440 2000 Films from a "Lost" cinema : a brief history of Cebuano cinema / | PN 1993.5.A75 .L899 2006 Lost films of Asia / | PN 1993.5.P5 .D440 2011 Film : American influences on Philippine cinema / | PN 1993.5.P5 .D440 2011 Film : American influences on Philippine cinema / | PN 1993.5.P5 .M869 2008 Movies that matter : a festschrift in honor of Nicasio D. Cruz, SJ / | PN 1993.5.P6 .D28 1995 Fields of vision : critical applications in recent Philippine cinema. / |
With funding support from the Film Development Council of the Philippines and the Center for New Cinema.
Includes bibliographical references (p. 593-600).
This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo's extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo's scholarly study of cinema's evolution in the hands of Americans. By bringing back cinema's colonial past, he uncovers a significant theme in contemporary Philippine historiography : cinema as site for a Filipino identity amidst the hegemonic cultural domination of Hispanic and American influences. To this cultural battle, Deocampo uniquely contributes the concept of "trialectic," adding to the two the nascent, but no less potent, native influence that would one day lead to the appropriation of cinema as "national" culture. (Source: http://centerfornewcinema.net/books/)
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