Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / Reuben Ramas Cañete.
Material type: TextPublication details: Quezon City : University of the Philippines Press, c2012.Description: xii, 380 p. : ill. 23 cmISBN:- 9789715426664
- BH 301.P69 .C116 2012
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
Isagani R. Cruz Collection | Aklatang Emilio Aguinaldo-Information Resource Center | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Not for loan | 3IRC2014000254 | ||
Filipiniana | Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012001681 | ||
Filipiniana | Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012001682 | ||
Filipiniana | Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012000373 | ||
Filipiniana | Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012000374 |
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BF 1775 .P415 1996 Mga panibagong kulam / | BF 1775 .Si39 1997 1,001 katutubong pamahiin / | BH 39 .H446 2008 Aesthetics : key concepts in philosophy / | BH 301.P69 .C116 2012 Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / | BH 301.P69 .C116 2012 Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / | BH 301.P69 .C116 2012 Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / | BH 301.P69 .C116 2012 Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / |
Sacrificial bodies is a comprehensive study on how the act of heroic sacrifice against foreign aggression has been transformed into a means of liberating generations of Filipinos from all forms of oppression, through the iconic pose and location of Guillermo Tolentino's sculpture, the Oblation, within the UP campus. By tracing this idea through the various icons and images of the Oblation, the book also reveals how ambivalent and context-specific this assertions has been ingrained, imagined, and re-experienced by generations of practitioners in Philippine visual culture. (Source: http://uppress.com.ph)
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