Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / Reuben Ramas Cañete.
Material type:
TextPublication details: Quezon City : University of the Philippines Press, c2012.Description: xii, 380 p. : ill. 23 cmISBN: - 9789715426664
- BH 301.P69 .C116 2012
| Item type | Current library | Call number | Status | Date due | Barcode | |
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Isagani R. Cruz Collection
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Aklatang Emilio Aguinaldo-Information Resource Center | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Not for loan | 3IRC2014000254 | ||
Filipiniana
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012001681 | ||
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Filipiniana
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012001682 | ||
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Filipiniana
|
Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012000373 | ||
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Filipiniana
|
Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | BH 301.P69 .C116 2012 (Browse shelf(Opens below)) | Available | 3AEA2012000374 |
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| BF 1623.L6 .L498 2013 Playing with pink parts : RJ Ledesma's guide to gayumas, aphrodisiacs and love spells / | BF 1775 .P415 1996 Mga panibagong kulam / | BH 39 .P194 1969 Art appreciation and aesthetics : an introduction to the humanities / | BH 301.P69 .C116 2012 Sacrificial bodies : the oblation and the political aesthetics of masculine representations in Philippine visual cultures / | BJ 40 .Q48 1979 Four essays in the Philosophy of history. | BJ 1012 .D98 1985 Mga babasahin sa pilosopiyang moral / | BJ 1025 .Q48 1989 Fundamentals of ethics. / |
Sacrificial bodies is a comprehensive study on how the act of heroic sacrifice against foreign aggression has been transformed into a means of liberating generations of Filipinos from all forms of oppression, through the iconic pose and location of Guillermo Tolentino's sculpture, the Oblation, within the UP campus. By tracing this idea through the various icons and images of the Oblation, the book also reveals how ambivalent and context-specific this assertions has been ingrained, imagined, and re-experienced by generations of practitioners in Philippine visual culture. (Source: http://uppress.com.ph)
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