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Light : selected stories / by Joy T. Dayrit ; edited by Edna Zapanta Manlapaz.

By: Material type: TextTextPublication details: Quezon City, Ateneo de Manila University Press in cooperation with Ateneo Library of Women's Writings, 2012Description: xi, 137 p. : ill. (some col.) 23 cmISBN:
  • 9789715506434
Subject(s): LOC classification:
  • PS 9992.4 .D336 2012
Summary: thumbtacks placed on context and setting. Sometimes the detailing is in dialogue, how evenly measured, its cadence I can imagine she tapped using her cane. Her characters "became" or were always in the process "of becoming"-that obscure moment in between a "before" and "after" pinned, delincated, figured (in the painterly sense). Like the way she wrote, loved, and lived, it looked effortless, inevitable, and yet you knew it came with knowing the deepest pain. Rica Bolipata-SantosSummary: Joy was a dear friend, and a fellow woman-writer. She would eventually become a teacher to me. She taught the way she wrote-quietly, surreptitiously, constantly attempting to obliterate herself so that what would only remain were tips on craft, lessons on living well, and the different ways to achieve the strange balancing required of those of us who live and write. I can still see her in my mind's eye, sitting on her windy veranda as we ate cheese pizza. Her eyes had the ability to dwell long on things. She was not the type to flit from one scene to the next. This quality appears in her fiction too-in the painstaking detail given to objects that inhabit space so that it does not take flight
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Holdings
Item type Current library Call number Status Date due Barcode
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PS 9992.4 .D336 2012 (Browse shelf(Opens below)) Not for loan 3IRC2014000220
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PS 9992.4 .D336 2012 (Browse shelf(Opens below)) Available 3AEA2014000213
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PS 9992.4 .D336 2012 (Browse shelf(Opens below)) Available 3AEA2012001650
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PS 9992.4 .D336 2012 (Browse shelf(Opens below)) Available 3AEA2012001651
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PS 9992.4 .D336 2012 (Browse shelf(Opens below)) Available 3AEA2012000168
Filipiniana Filipiniana Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana PS 9992.4 .D336 2012 (Browse shelf(Opens below)) Available 3AEA2012000182
Browsing Aklatang Emilio Aguinaldo-Information Resource Center shelves, Shelving location: Filipiniana Close shelf browser (Hides shelf browser)
PS 9992.4 .C767 1997 Contemporary fiction by Filipinos in America / PS 9992.4 .D336 2012 Light : selected stories / PS 9992.4 .D336 2012 Light : selected stories / PS 9992.4 .D336 2012 Light : selected stories / PS 9992.4 .D336 2012 Light : selected stories / PS 9992.4 .D336 2012 Light : selected stories / PS 9992.4 .D81 1999 Dream noises : generation writes /

Short stories.

thumbtacks placed on context and setting. Sometimes the detailing is in dialogue, how evenly measured, its cadence I can imagine she tapped using her cane. Her characters "became" or were always in the process "of becoming"-that obscure moment in between a "before" and "after" pinned, delincated, figured (in the painterly sense). Like the way she wrote, loved, and lived, it looked effortless, inevitable, and yet you knew it came with knowing the deepest pain. Rica Bolipata-Santos

Joy was a dear friend, and a fellow woman-writer. She would eventually become a teacher to me. She taught the way she wrote-quietly, surreptitiously, constantly attempting to obliterate herself so that what would only remain were tips on craft, lessons on living well, and the different ways to achieve the strange balancing required of those of us who live and write. I can still see her in my mind's eye, sitting on her windy veranda as we ate cheese pizza. Her eyes had the ability to dwell long on things. She was not the type to flit from one scene to the next. This quality appears in her fiction too-in the painstaking detail given to objects that inhabit space so that it does not take flight

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