Light : selected stories / by Joy T. Dayrit ; edited by Edna Zapanta Manlapaz.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- 9789715506434
- PS 9992.4 .D336 2012
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Aklatang Emilio Aguinaldo-Information Resource Center | PS 9992.4 .D336 2012 (Browse shelf(Opens below)) | Not for loan | 3IRC2014000220 | ||
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9992.4 .D336 2012 (Browse shelf(Opens below)) | Available | 3AEA2014000213 | ||
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9992.4 .D336 2012 (Browse shelf(Opens below)) | Available | 3AEA2012001650 | ||
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9992.4 .D336 2012 (Browse shelf(Opens below)) | Available | 3AEA2012001651 | ||
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9992.4 .D336 2012 (Browse shelf(Opens below)) | Available | 3AEA2012000168 | ||
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Aklatang Emilio Aguinaldo-Information Resource Center Filipiniana | PS 9992.4 .D336 2012 (Browse shelf(Opens below)) | Available | 3AEA2012000182 |
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PS 9992.4 .B464f 2007 Best Filipino stories : the NVM Gonzalez Awards, 2000-2005 / | PS 9992.4 .B877 2006 Bul-ol : the first tamaraw anthology of short stories for children = ang unang antolohiyang tamaraw ng mga maikling kuwentong pambata. | PS 9992.4 .C767 1997 Contemporary fiction by Filipinos in America / | PS 9992.4 .D336 2012 Light : selected stories / | PS 9992.4 .D568 2007 A Different voice : fiction by young Filipino writers / | PS 9992.4 .D81 1999 Dream noises : generation writes / | PS 9992.4 .F477 1954 Filipino essays in English : a historico-critical anthology in two volumes 1910-1954 / |
Short stories.
thumbtacks placed on context and setting. Sometimes the detailing is in dialogue, how evenly measured, its cadence I can imagine she tapped using her cane. Her characters "became" or were always in the process "of becoming"-that obscure moment in between a "before" and "after" pinned, delincated, figured (in the painterly sense). Like the way she wrote, loved, and lived, it looked effortless, inevitable, and yet you knew it came with knowing the deepest pain. Rica Bolipata-Santos
Joy was a dear friend, and a fellow woman-writer. She would eventually become a teacher to me. She taught the way she wrote-quietly, surreptitiously, constantly attempting to obliterate herself so that what would only remain were tips on craft, lessons on living well, and the different ways to achieve the strange balancing required of those of us who live and write. I can still see her in my mind's eye, sitting on her windy veranda as we ate cheese pizza. Her eyes had the ability to dwell long on things. She was not the type to flit from one scene to the next. This quality appears in her fiction too-in the painstaking detail given to objects that inhabit space so that it does not take flight
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