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Crafting modernism : midcentury American art and design / Jeannine Falino, general editor ; Jeannine Falino with Jennifer Scanlan, curators ; with essays by Glenn Adamson [and eleven others].

Contributor(s): Material type: TextTextNew York : Abrams :;In association with MAD/Museum of Arts and Design, 2011.;©2011Description: 367 pages : illustrations (chiefly col.) 29 cmContent type:
  • text
Carrier type:
  • volume
ISBN:
  • 9780810984806
Subject(s): LOC classification:
  • NK 808 .C842 2011
Summary: Crafting Modernism: Midcentury American Art and Design is an in-depth examination of the American studio craft movement in the decades following World War II, with a focus on the major mediums (clay, wood, fiber, metal, jewelry, and glass) favored by the greatest craftspeople of the period. Published to coincide with an exhibition opening in October 2011 at the Museum of Arts and Design in New York, this book explores the origins of the studio craft movement, the international influences that helped it grow in this country and abroad, and its convergence with the fine arts and design. This examination of the movement in the postwar years reveals how a new generation of craftspeople began to express cultural identity and artistic innovation through their work, which led to a proliferation of the craft movement in museums and exhibitions worldwide. A few of the many artists represented include Dale Chihuly, Charles and Ray Eames, Wharton Esherick, George Nakashima, and Peter Voulkos. -- Book Description.
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Item type Current library Call number Status Date due Barcode
Reference Reference Aklatang Emilio Aguinaldo-Information Resource Center Reference NK 808 .C842 2011 (Browse shelf(Opens below)) Not for loan 3AEA2014007857

Volume 4 of the history of twentieth-century American craft--Verso page.

Includes bibliographical references and index.

Crafting Modernism: Midcentury American Art and Design is an in-depth examination of the American studio craft movement in the decades following World War II, with a focus on the major mediums (clay, wood, fiber, metal, jewelry, and glass) favored by the greatest craftspeople of the period. Published to coincide with an exhibition opening in October 2011 at the Museum of Arts and Design in New York, this book explores the origins of the studio craft movement, the international influences that helped it grow in this country and abroad, and its convergence with the fine arts and design. This examination of the movement in the postwar years reveals how a new generation of craftspeople began to express cultural identity and artistic innovation through their work, which led to a proliferation of the craft movement in museums and exhibitions worldwide. A few of the many artists represented include Dale Chihuly, Charles and Ray Eames, Wharton Esherick, George Nakashima, and Peter Voulkos. -- Book Description.

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