Owning the past : why the English collected antique sculpture, 1640-1840 / Ruth Guilding.
Material type:
TextDescription: vi, 410 pages : illustrations (some color) 30 cmContent type: - text
- unmediated
- volume
- 9780300208191
- NB 85 .G943 2014
| Item type | Current library | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
Reference
|
Aklatang Emilio Aguinaldo-Information Resource Center Reference | NB 85 .G943 2014 (Browse shelf(Opens below)) | Not for loan | 3AEA2015003215 |
Browsing Aklatang Emilio Aguinaldo-Information Resource Center shelves, Shelving location: Reference Close shelf browser (Hides shelf browser)
|
|
|
|
No cover image available | No cover image available | No cover image available | ||
| NA 9265 .G931 2014 v.1 Modern riverside scene at qingming festival : positioning, planning, design & operation of cultural and commercial street / | NA 9265 .G931 2014 v.2 Modern riverside scene at qingming festival : positioning, planning, design & operation of cultural and commercial street / | NA 9265 .G931 2014 v.3 Modern riverside scene at qingming festival : positioning, planning, design & operation of cultural and commercial street / | NB 85 .G943 2014 Owning the past : why the English collected antique sculpture, 1640-1840 / | NB 198 .En19 2004 v.1 The Encyclopedia of sculpture. / | NB 198 .En19 2004 v.2 The Encyclopedia of sculpture. / | NB 198 .En19 2004 v.3 The Encyclopedia of sculpture. / |
Includes bibliographical references and index.
Annexing history: Lord Arundel, Lord Pembroke and their ancient marbles -- Atavism in a Palladian frame: myths of ancestry and new Romans -- Temples of liberty and other polemics -- Buying (and selling) taste -- Competing for reputation -- A partial enlightenment -- The connoisseurship of libertinism: a diversion -- Recreating the antique as neoclassical ideal -- Memorials, souvenirs and speaking stones -- The romantic museum: antique sculpture in the public realm.
A re-examination of the British collectors who bankrupted themselves to possess antique marble statues. Analyzing the motives the drove "Marble Mania" in England from the 17th to 19th centuries, it examines how the trend entrenches the ideals of connoisseurship and taste, exacerbates socio-economic inequities, and serves nationalist propaganda.
There are no comments on this title.
