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Kritik/critique : essays from the J. Elizalde Navarro National Workshop in the Criticism of the Arts and Humanities, 2009-2012 / edited by Oscar V. Campomanes.

Contributor(s): Material type: TextTextManila, Philippines : UST Publishing House, 2014Description: xx, 335 pages 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9789715067263
Subject(s): LOC classification:
  • PR 9550.8 .K898 2014
Summary: This anthology gathers an affluence of essays and articles showcasing some of the best products of the J. Elizalde Navarro National Workshop in Criticism on the Arts and Humanities from 2009 to 2012. The multiplicity of topics and issues raised concurs with those of current global praxis in the arts and humanities, from diaspora to digital poetry, bodies to beauty, Shakespeare to Gina Apostol, queer politics to metacriticism, and in particular, the persistent, disquieting enquiry concerning what is real in today's tilting planet. This collection further affirms that Philippine criticism does not tarry, but in ripe seasons, it waters the ground of knowledge, overturns the soil of presumptions, and strikes the politics of silences with bolts of significant, stimulating discourse. In doing so, criticism fails not in its time-honored role as the gatekeeper and tender of the arts. For its gallant mission, the JEN anthology should be hailed with trumpets of jubilation.
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Holdings
Item type Current library Call number Status Date due Barcode
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PR 9550.8 .K898 2014 (Browse shelf(Opens below)) Not for loan 3IRC2015000002
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PR 9550.8 .K898 2014 (Browse shelf(Opens below)) Not for loan 3IRC2015000001

Includes bibliographical references.

This anthology gathers an affluence of essays and articles showcasing some of the best products of the J. Elizalde Navarro National Workshop in Criticism on the Arts and Humanities from 2009 to 2012. The multiplicity of topics and issues raised concurs with those of current global praxis in the arts and humanities, from diaspora to digital poetry, bodies to beauty, Shakespeare to Gina Apostol, queer politics to metacriticism, and in particular, the persistent, disquieting enquiry concerning what is real in today's tilting planet. This collection further affirms that Philippine criticism does not tarry, but in ripe seasons, it waters the ground of knowledge, overturns the soil of presumptions, and strikes the politics of silences with bolts of significant, stimulating discourse. In doing so, criticism fails not in its time-honored role as the gatekeeper and tender of the arts. For its gallant mission, the JEN anthology should be hailed with trumpets of jubilation.

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