Asian-American women writers / edited and with an introduction by Harold Bloom.

Contributor(s): Material type: TextTextPublication details: Philadelphia : Chelsea House Publishers, c1997.Description: xvii, 142 p. 24 cmISBN:
  • 791044912
Subject(s): LOC classification:
  • PS 153.A84 .As42 1997
Contents:
Diana Chang -- Edith Mande Eaton and Winnifred Eaton -- Jessica Tarahata Hagedorn -- Maxine Hong Kingston -- Joy Kogawa -- Bharati Mukherjee -- Amy Tan -- Linda Ty-Casper -- Jade Snow Wong -- Hisaye Yamamoto -- Wakako Yamauchi.
Summary: The writings of Asian-American women - whether born in America or transplanted from China, Japan, the Philippines, or India - have continued to reflect the complexities of their authors' cultural milieus, the stories set in places as disparate as Japanese internment camps in Arizona, flamboyant Manila under Marcos, and the Chinatowns of California. Likewise, these writings have continued to reflect the ambiguities of their authors' identities, the tensions of a female consciousness caught between cultures. The very voices of these stories - from Wong's polite autobiographical "she" and Yamamoto's "double telling" to the "splinters" in Kingston's voice and Hagedorn's polyglot - tell of the richness of writing by Asian-American women thus far. www.alibris.com
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Holdings
Item type Current library Call number Status Date due Barcode
American Learning Resource American Learning Resource Aklatang Emilio Aguinaldo-Information Resource Center PS 153.A84 .As42 1997 (Browse shelf(Opens below)) Available 9ALRC201101944

Includes bibliographical references.

Diana Chang -- Edith Mande Eaton and Winnifred Eaton -- Jessica Tarahata Hagedorn -- Maxine Hong Kingston -- Joy Kogawa -- Bharati Mukherjee -- Amy Tan -- Linda Ty-Casper -- Jade Snow Wong -- Hisaye Yamamoto -- Wakako Yamauchi.

The writings of Asian-American women - whether born in America or transplanted from China, Japan, the Philippines, or India - have continued to reflect the complexities of their authors' cultural milieus, the stories set in places as disparate as Japanese internment camps in Arizona, flamboyant Manila under Marcos, and the Chinatowns of California. Likewise, these writings have continued to reflect the ambiguities of their authors' identities, the tensions of a female consciousness caught between cultures. The very voices of these stories - from Wong's polite autobiographical "she" and Yamamoto's "double telling" to the "splinters" in Kingston's voice and Hagedorn's polyglot - tell of the richness of writing by Asian-American women thus far. www.alibris.com

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