American short story masterpieces / edited by Raymond Carver and Tom Jenks.

Contributor(s): Material type: TextTextPublication details: New York : Delacorte Press, c1987.Description: xvi, 435 p. 25 cmISBN:
  • 385295243
Subject(s): LOC classification:
  • PS 648.S5 .Am35 1987
Summary: This highly acclaimed collection of short stories by American writers contains only the best literary art of the past four decades. With a bias toward realism editors Raymond Carver and Tom Jenks have selected fiction that "tells a story"-and tells it with a masterful handling of language, situation, and insight. But what is so special about this volume is that it mirrors our age, our concerns, and our lives. Whether it's the end of a marriage, as in Bobbie Ann Manson's "Shiloh," or the struggle with self-esteem and weight in Andre Dubus's "The Fat Girl," the 36 works included her probe issues that give us that "shock of recognition" that is the hallmark of great art-wonderful, absorbing fiction that will be read and reread for decades to come. Published in 1954, Short Story Masterpieces has remained an indispensable teaching tool. And promises to be part of the curriculum well into the next millennium (www.alibris.com.
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Holdings
Item type Current library Call number Status Date due Barcode
American Learning Resource American Learning Resource Aklatang Emilio Aguinaldo-Information Resource Center PS 648.S5 .Am35 1987 (Browse shelf(Opens below)) Available 9ALRC201101884

This highly acclaimed collection of short stories by American writers contains only the best literary art of the past four decades. With a bias toward realism editors Raymond Carver and Tom Jenks have selected fiction that "tells a story"-and tells it with a masterful handling of language, situation, and insight. But what is so special about this volume is that it mirrors our age, our concerns, and our lives. Whether it's the end of a marriage, as in Bobbie Ann Manson's "Shiloh," or the struggle with self-esteem and weight in Andre Dubus's "The Fat Girl," the 36 works included her probe issues that give us that "shock of recognition" that is the hallmark of great art-wonderful, absorbing fiction that will be read and reread for decades to come. Published in 1954, Short Story Masterpieces has remained an indispensable teaching tool. And promises to be part of the curriculum well into the next millennium (www.alibris.com.

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