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Owning the past : why the English collected antique sculpture, 1640-1840 / Ruth Guilding.

By: Material type: TextTextDescription: vi, 410 pages : illustrations (some color) 30 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780300208191
Subject(s): LOC classification:
  • NB 85 .G943 2014
Contents:
Annexing history: Lord Arundel, Lord Pembroke and their ancient marbles -- Atavism in a Palladian frame: myths of ancestry and new Romans -- Temples of liberty and other polemics -- Buying (and selling) taste -- Competing for reputation -- A partial enlightenment -- The connoisseurship of libertinism: a diversion -- Recreating the antique as neoclassical ideal -- Memorials, souvenirs and speaking stones -- The romantic museum: antique sculpture in the public realm.
Summary: A re-examination of the British collectors who bankrupted themselves to possess antique marble statues. Analyzing the motives the drove "Marble Mania" in England from the 17th to 19th centuries, it examines how the trend entrenches the ideals of connoisseurship and taste, exacerbates socio-economic inequities, and serves nationalist propaganda.
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Holdings
Item type Current library Call number Status Date due Barcode
Reference Reference Aklatang Emilio Aguinaldo-Information Resource Center Reference NB 85 .G943 2014 (Browse shelf(Opens below)) Not for loan 3AEA2015003215

Includes bibliographical references and index.

Annexing history: Lord Arundel, Lord Pembroke and their ancient marbles -- Atavism in a Palladian frame: myths of ancestry and new Romans -- Temples of liberty and other polemics -- Buying (and selling) taste -- Competing for reputation -- A partial enlightenment -- The connoisseurship of libertinism: a diversion -- Recreating the antique as neoclassical ideal -- Memorials, souvenirs and speaking stones -- The romantic museum: antique sculpture in the public realm.

A re-examination of the British collectors who bankrupted themselves to possess antique marble statues. Analyzing the motives the drove "Marble Mania" in England from the 17th to 19th centuries, it examines how the trend entrenches the ideals of connoisseurship and taste, exacerbates socio-economic inequities, and serves nationalist propaganda.

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