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The poetic conventions of Tina Sambal / Hella Eleonore Goschnick.

By: Material type: TextTextPublication details: Manila, Philippines : Linguistic Society of the Philippines, c1989.Description: viii, 452 pages : illustrations ; 23 cmISBN:
  • 971-1059-10-x
Subject(s): LOC classification:
  • PL 6189.T56  .G692 1989
Summary: an index of authors, singers, and contributorsSummary: and a list of available recorded songs. A glossary of technical terms and a list of references are also included. (MSE)Summary: esoteric words usedSummary: terms relating to poetry and songSummary: transcriptions of song melodiesSummary: this study, an analysis of poetry in Tina Sambal, a Philippine language spoken by about 70,000 persons in northern Zambales province, looks at the characteristics of the different poetic genres and poetic conventions followed in writing songs and poems. Primary emphasis is on phonological restrictions, grammatical liberties, and semantic embellishments. The first chapter describes Tina Sambal poetic genres and their use, focusing on the changing use of songs and poems, 11 specific song types (religious poetry, hortatory songs, life-story songs, entertaining songs, comical songs, compositions for special occasions, poems, serenading and caroling songs, courting songs, love letters, and sad love songs), functions of Tina Sambal songs and poems, traditional singing customs, and comparison with other Philippine languages. The second chapter examines the Tina Sambal poetic conventions, and the third chapter offers a brief conclusion. A separate section--and the longest in the book--consists of a "Chrestomathy" containing typical Tina Sambal poems and songs and an excerpt from one Tina Sambal Passion, each with an introduction and free translation, grouped according to genre. Appended materials include notes on typical features of Tina Sambal orthography and grammar
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Item type Current library Call number Status Date due Barcode
Isagani R. Cruz Collection Isagani R. Cruz Collection Aklatang Emilio Aguinaldo-Information Resource Center PL 6189.T56 .G692 1989 (Browse shelf(Opens below)) Not for loan 3IRC0000002396

an index of authors, singers, and contributors

and a list of available recorded songs. A glossary of technical terms and a list of references are also included. (MSE)

esoteric words used

terms relating to poetry and song

transcriptions of song melodies

this study, an analysis of poetry in Tina Sambal, a Philippine language spoken by about 70,000 persons in northern Zambales province, looks at the characteristics of the different poetic genres and poetic conventions followed in writing songs and poems. Primary emphasis is on phonological restrictions, grammatical liberties, and semantic embellishments. The first chapter describes Tina Sambal poetic genres and their use, focusing on the changing use of songs and poems, 11 specific song types (religious poetry, hortatory songs, life-story songs, entertaining songs, comical songs, compositions for special occasions, poems, serenading and caroling songs, courting songs, love letters, and sad love songs), functions of Tina Sambal songs and poems, traditional singing customs, and comparison with other Philippine languages. The second chapter examines the Tina Sambal poetic conventions, and the third chapter offers a brief conclusion. A separate section--and the longest in the book--consists of a "Chrestomathy" containing typical Tina Sambal poems and songs and an excerpt from one Tina Sambal Passion, each with an introduction and free translation, grouped according to genre. Appended materials include notes on typical features of Tina Sambal orthography and grammar

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