Mary Cassalt.
Material type: TextPublication details: New York : Rizzoli International Pub, c1992.Subject(s): LOC classification:- R ND 237.C3 M424 1992
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
Reference | Aklatang Emilio Aguinaldo-Information Resource Center Reference | ND 237.C3.M424 1992 (Browse shelf(Opens below)) | Not for loan | 3AEAD00030042G |
Mary Cassat's depiction of contemplative women and children have often been regarded as uniquely symbolic subjects in the restrictive Victorian era.Nancy Mowll Mathews explains how Cassat((1844-1926) was not an isolated phenomenon "but rather the product of a progressive epoch for women.Her oeuvre,based on feminine themes,represented women's newfound freedom and life-styles that can be pursued regardless of gender.Index to Colorplates:Head of Young Girl, at the Theater,The Loge,Lydia at a Tapestry Loom,Susan on a Balcony Holding a Dog,Lady at the Tea Table ,Young women Sewing in a Garden,The Letter,In the Omnibus,The bath,summertime,Patty-Cake,Simone in a White Bonnet.
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