Music as thought : listening to the symphony in the age of Beethoven / Mark Evan Bonds
Material type: TextPublisher: Princeton : Princeton University Press, [2006]Copyright date: ©2006Description: xx, 169 pages ; 23 cmISBN:- 0691126593 (alk. paper)
- 9780691168050
- ML1255 .B640 2006
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Circulation | DLSU-D HS Learning Resource Center Circulation | Circulation | ML1255 .B640 2006 (Browse shelf(Opens below)) | Available | 3HSL2014005789 |
Includes bibliographical references and index
Prologue. An unlikely genre : the rise of the symphony -- Listening with imagination : the revolution in aesthetics. From Kant to Hoffmann ; Idealism and the changing perception of perception ; Idealism and the new aesthetics of listening -- Listening as thinking : from rhetoric to philosophy. Listening in a rhetorical framework ; Listening in a philosophical framework ; Art as philosophy -- Listening to truth : Beethoven's Fifth Symphony. The infinite sublime ; History as knowing ; The synthesis of conscious and unconscious ; Organic coherence ; Beyond the sublime -- Listening to the aesthetic state : cosmopolitanism. The communal voice of the symphony ; The imperatives of individual and social synthesis ; The state as organism ; Schiller's idea of the aesthetic state ; Goethe's pedagogical province -- Listening to the German State : nationalism. German nationalism ; The symphony as a 'German' genre ; The performance politics of the music festival ; The symphony as democracy -- Epilogue. Listening to form : the refuge of absolute music
The goal of this book is to trace the process by which purely instrumental music - music without a text and without any suggestion of an external program - came to be perceived as a vehicle of ideas in the decades around 1800, of just how and why the act of listening came to be equated with the act of thinking
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