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Reading like a writer : a guide for people who love books and for those who want to write them Francine Prose.

By: Material type: TextTextNew York, NY : HarperCollins Publishers, c2006Description: 273 pages ; 22 cmISBN:
  • 9780060777043
Subject(s): LOC classification:
  • PE 1408  .P945 2006
Contents:
Close reading -- Words -- Sentences -- Paragraphs -- Narration -- Character -- Dialogue -- Details -- Gesture -- Learning from Chekhov -- Reading for courage -- Books to be read immediately.
Summary: Before there were workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says author and teacher Prose. Prose invites you on a guided tour of the tools and the tricks of the masters. She reads the very best writers and discovers why their work has endured. She takes pleasure in the magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carre for how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.
List(s) this item appears in: SENG121_READING AND WRITING | SENG211_ENGLISH FOR ACADEMICS AND PROFESSIONAL PURPOSES | SSPH211_CREATIVE NONFICTION
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Item type Current library Collection Call number Status Date due Barcode
Circulation Circulation DLSU-D HS Learning Resource Center Circulation Circulation PE 1408 .P945 2006 (Browse shelf(Opens below)) Available 3HSL2014000820

Close reading -- Words -- Sentences -- Paragraphs -- Narration -- Character -- Dialogue -- Details -- Gesture -- Learning from Chekhov -- Reading for courage -- Books to be read immediately.

Before there were workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says author and teacher Prose. Prose invites you on a guided tour of the tools and the tricks of the masters. She reads the very best writers and discovers why their work has endured. She takes pleasure in the magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carre for how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.

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