000 01837nam a2200277Ia 4500
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005 20210120101448.0
008 140429s2014 ph f000 0 eng
020 _a9789715427821
040 _erda
050 _aPS 9993.F77
_b.R220 2015
100 _aFrancia, Luis H.,
_d-1945
_944667
245 0 _aRe :
_brecollections, reviews, reflections /
_cLuis H. Francia.
264 _aDiliman, Quezon City :
_bThe University of the Philippines Press,
_c[2015]
300 _axiv, 299 pages
_c23 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
520 _a"Luis H. Francia knows New York and America better than many of the native-born, but he never loses his moorings, his critical awareness of what it means to be Filipino-American. But these essays are about far more than racial politics, as they chronicle the travails of that most blessed and in other ways most cursed of citizens-the artist, particularly the artist abroad, for whom alienation acts as a lens that magnifies and reshapes every little thing that crosses the eye. The most arresting and delightful reads are his portraits of the expatriate masters who preceded him in America-most notably José Garcia Villa, lover of martinis and hater of cheese. Despite the plaints, Francia has been clearly and distinctly privileged to be where he has been and to see what he has seen, and he shares that privilege with us in this well-wrought collection." - Jose Dalisay, University of the Philippines Diliman ©2015
650 _aPhilippine essays (English)
650 _aPhilippine essays (English)
942 _cFIL
999 _c17953
_d17953