000			02074nam a2200325Ia 4500
001			340099
003			0000000000
005			20210120102453.0
008			180605t20172017ph b f001 0 eng
010			_a2018327115
020			_a9789715428514
035			_a20528661
040			_erda
050			_aPL 5583.5 _b.B37 2017
100			_aBarbaza, Raniela Evangelista, _930315
245		3	_aAn orosipon kan Bikolnon : _binterrupting the Philippine nation / _cRaniela Evangelista Barbaza.
264			_aDiliman, Quezon City : _bUniversity of the Philippines Press, _c[2017];©2017
300			_axxvi, 365 pages _c24 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references (pages 345-354) and index.
520			_aIf the monologic force of narration produces a nation, orosipon, an old Bikol word for story, interrupts this production by telling a different story or different stories. Coming from the root word osip which approximates "tell," orosipon points to more than one person involved in the act of telling, which attributes the act of telling proper to no one in particular. Orosipon suggests a multiplicity and fluidity prohibited by the homogenizing structuring of narration and community. An Orosipon kan Bikolnon reads selected fiction and nonfiction from the periodicals Sanghiran nin Bikol, An Parabareta, Bikolnon, and Bikolana published in the first half of the twentieth century in Bikol, a region in the Philippines. The texts reveal the orosiponic pulse against the narration of the Philippine nation-state during the period. The book also includes five selected osipon in the original as well as translations in Filipino and English. --Back cover of the book.
650			_aBikol literature _942630
650			_aBikol literature _942630
650			_aBikol literature _942630
942			_cFIL
999			_c18359 _d18359