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| 020 | _a9789715428491 (soft) | ||
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| 050 |
_aML 3758 _b.P538 2018 |
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| 245 | 0 |
_aPhilippine modernities : _bmusic, peforming arts, and language, 1880 to 1941 / _cJosé S. Buenconsejo, editor. |
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| 264 |
_aDiliman, Quezon City : _bUniversity of the Philippines Press, _c[2017]. |
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| 300 |
_axxv, 523 pages _c26 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | _aThis book is about a particular cultural history of modernity in the Philippines from the 1880s to 1941. Essays by explore salient questions such as: How did the capitalist practices of market exchange engender new sets of individual relationships within the already transformed Philippine society set by urbanization and secularization? How did arts and language articulate a new sense of belonging to this new social order? How did the politics of identity fare in the struggle of arts as social signs? In what ways did this modernity push for the establishment of a sovereign Philippine national culture? How did music, related performing arts, and language reflexively and critically engage these cultural changes? What kind of music were suited for a modern Philippine? What language was to be used as the official language of the independent state? The book therefore advances our understanding on how entanglements with the social practices of modernity led to significant local cultural transformation that were unique to Filipino experience. --Back cover of the book. | ||
| 650 | _aMusic | ||
| 650 | _aMusic | ||
| 650 |
_aPerforming arts _942558 |
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| 700 |
_aAncheta, Maria Rhodora G., _947332 |
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| 700 |
_aBuenconsejo, José S. _947333 |
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| 942 | _cFIL | ||
| 999 |
_c18362 _d18362 |
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