000 | 02782cam a22002894a 4500 | ||
---|---|---|---|
999 |
_c317 _d317 |
||
001 | 47767410 | ||
003 | OCoLC | ||
005 | 20200626105405.0 | ||
008 | 010809s2001 ja m b a001 0 eng | ||
010 | _a2001038727 | ||
020 | _a477002682X | ||
020 | _a9784770026828 | ||
040 |
_aAEA _bAEA _cAEA |
||
050 | 0 | 0 |
_aPN 1993.5.J3 _b.R399 2001 |
100 | 1 |
_aRichie, Donald, _d1924-2013. _92996 |
|
245 | 1 | 2 |
_aA hundred years of Japanese film : _ba concise history, with a selective guide to videos and DVDs _cDonald Richie ; foreword by Paul Schrader. |
246 | 3 | 0 | _aJapanese film. |
250 | _aFirst Edition | ||
260 |
_aTokyo : _bKodansha International, _c2001. |
||
264 |
_aTokyo : _bKodansha International, _c2001. |
||
300 |
_a311 pages : _billustrations ; _c24 cm. |
||
504 | _aIncludes bibliographical references (299-301) and index. | ||
505 | 0 | 0 |
_tForeword / _rPaul Schrader -- _tA Concise History of Japanese Film -- _tBeginnings and the Benshi -- _tFilm, Theater, and Actors -- _tRealism and Reality -- _tWestern Influences -- _tShingeki and New Narrative Tactics -- _tThe Gendaigeki -- _tTaisho Democracy and Shochiku -- _tThe New Gendaigeki: Shimazu, Gosho, Shimizu, Ozu, and Naruse -- _tThe New Jidaigeki: Itami, Inagaki, Ito, and Yamanaka Sadao -- _tNikkatsu and the Shimpa: Mizoguchi Kenji -- _tExpressionism, Kinugasa Teinosuke, and the Leftist Film -- _tCriticism and Crackdown: World War II -- _tThe Occupation of Japan -- _tPostwar Developments -- _tOzu and Naruse -- _tMizoguchi and the Period-Film -- _tNew Means: Jun-bungaku, Comedy, and Social Issues -- _tThe Advent of Television and the Film's Defenses: Suzuki, Nakahira, Kawashima, and Imamura -- _tThe Early Independents: Hani and Teshigahara -- _tThe "New Wave": Oshima, Yoshida, and Shinoda -- _tAfter the Wave -- _tMaking Audiences -- _tThe New Independents -- _tDocumentary and Anime -- _tA Selective Guide to Videos and DVDs -- _tJapanese Sources of Videos and DVDs -- _tJapanese Historical Periods. |
520 | _aIn this book, Donald Richie offers an insider's look at the achievements of Japanese filmmakers. He begins in the late 1800 when the incipient industry took its inspiration from the traditional stories of Kabuki and Noh theater, and finishes with the latest award-winning dramas showcased at Cannes. In between, Richie explores the roots and uniqueness of Japan's contribution to world cinema, illuminates the careers of Japan's rising stars and celebrated directors, and offers a fascinating view of the strategies and politics of the movie studios themselves. A selective guide in Part Two provides capsule reviews of the major Japanese films available in VHS and DVD formats, as well as those televised on standard and cable channels. | ||
650 | 0 |
_aMotion pictures _zJapan _xHistory. _92997 |
|
942 |
_2lcc _cCIRC |