| 000 | 01333nam a2200217Ia 4500 | ||
|---|---|---|---|
| 001 | 12253 | ||
| 003 | 0000000000 | ||
| 005 | 20211103144545.0 | ||
| 008 | 991018s1992 enka b 10110 eng | ||
| 035 | _a(AEA)9B71E2FFAE2411D3B23000A024B58F5C | ||
| 035 | _a(DLSU-DASMA)BOOK00837 | ||
| 040 | _cAEA | ||
| 050 | _aR ND 237.C3 M424 1992 | ||
| 100 |
_aMathews, Nancy Mowll. _968532 |
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| 245 | 0 | _aMary Cassalt. | |
| 260 |
_aNew York : _bRizzoli International Pub, _cc1992. |
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| 520 | _aMary Cassat's depiction of contemplative women and children have often been regarded as uniquely symbolic subjects in the restrictive Victorian era.Nancy Mowll Mathews explains how Cassat((1844-1926) was not an isolated phenomenon "but rather the product of a progressive epoch for women.Her oeuvre,based on feminine themes,represented women's newfound freedom and life-styles that can be pursued regardless of gender.Index to Colorplates:Head of Young Girl, at the Theater,The Loge,Lydia at a Tapestry Loom,Susan on a Balcony Holding a Dog,Lady at the Tea Table ,Young women Sewing in a Garden,The Letter,In the Omnibus,The bath,summertime,Patty-Cake,Simone in a White Bonnet. | ||
| 650 |
_aCassalt, Mary, 1844-1926 -- Criticism and interpretation. _968533 |
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| 942 | _cREF | ||
| 999 |
_c41448 _d41448 |
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