000 | 01504nam a2200241Ia 4500 | ||
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001 | 12261 | ||
003 | 0000000000 | ||
005 | 20211103144558.0 | ||
008 | 991018s1992 enka b 10110 eng | ||
020 | _a0-8478-1610-9 | ||
035 | _a(AEA)9B71E308AE2411D3B23000A024B58F5C | ||
035 | _a(DLSU-DASMA)BOOK01018 | ||
040 | _cAEA | ||
050 | _aR ND 553.M37 B438 1992 | ||
100 |
_aBenjamin, Roger, _d-1957 _968543 |
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245 | 0 |
_aHenri Matisse / _cRoger Benjamin. |
|
260 |
_aNew York : _bRizal International Pub, _cc1992. |
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300 |
_a[24 p.], _bill. _c36 cm. |
||
520 | _aIllustrates the artist high regard for the "decorative "motiff.His career developed form Fauve canvasses to a later exploration into unconventional mediums,such as the cutout.Roger Benjamin ,Senior Lecturer at the University of Melbourne,Australia,traces Matisse's exotic travels as influences for the conceptual design of the figure that was release classical art form its formalist traditions..Ijndex to Colorplates:Nude Sandy in blue,Copy of "La Raie"by Chardin,Open Windows at colliure,Blue Nude(Souvenir of Biskra),Still life with Fruit and Bronze,Dance,1910,Interior with Eggplants,Zorah on the terrace,The Yellow Curtain,Odalisque in Red,Large Reclining Nude,formerly Pink Nude,Large Blue Dress and Mimosas,Icarus,Swimming Pool,Large rEd Interior. | ||
650 |
_aMatisse, Henri, 1869-1954 -- Criticism and interpretation. _968544 |
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942 | _cREF | ||
999 |
_c41456 _d41456 |