| 000 | 02027nam a2200325Ia 4500 | ||
|---|---|---|---|
| 001 | 18051 | ||
| 003 | 0000000000 | ||
| 005 | 20211103163546.0 | ||
| 008 | 001005s1980 000 0 eng d | ||
| 035 | _a(AEA)797C10669A9711D4AD6B00A024B58F58 | ||
| 040 |
_aAEA _cAEA |
||
| 050 |
_aGT 4881 _b.R648 1980 |
||
| 100 |
_aRoces, Alejandro R. _936782 |
||
| 245 | 0 |
_aFiesta / _cAlejandro R. Roces. |
|
| 260 |
_aPhilippines : _bVera-Reyes,Inc., _c1980 |
||
| 300 |
_a260 p. _bill. |
||
| 520 | _a 2) an old woodcut of a nineteenth century Filipino community in New Orleans, U.S.A. | ||
| 520 | _a 3) an old Philippine Christmas story that antedates Charles Dickens' Christmas Carol by a full century. | ||
| 520 | _a why childless couples pilgrim to Obando to dance before the image of San Pascual Baylon | ||
| 520 | _a why one of the images of St. Michael the Archangel in Iligan city is called Guerillero while the other one is known as St. Michael the Collaborator | ||
| 520 | _a why participants in the Ati-Atihan blacken themselves with soot and shout: "Hala bira! Hala bira! | ||
| 520 | _a why people supplicate for fair weather offer eggs to Santa Clara | ||
| 520 | _a why processioners in the turumba point to the image of the Virgin, then touch those around them | ||
| 520 | _a why the people who fix bet in the cockpit are known as kristos. Other highlights of the book are the following: 1) painting of a monument to the ancient Filipino called Bathala | ||
| 520 | _aDescribes the activities that take place during a festivity as well as cites the rationale of the occasion, and explains not only what fiesta did for a Filipino but what the Filipino did with the fiesta. Narrates that: Nuestra Señora de Guia is the oldest Marian image in Luzon, prior to the conquista, a pagan idol | ||
| 650 |
_aFestivals _zPhilippines. _974565 |
||
| 942 | _cFR | ||
| 999 |
_c46551 _d46551 |
||