000 | 01949nam a2200265Ia 4500 | ||
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001 | 26649 | ||
003 | 0000000000 | ||
005 | 20211103174844.0 | ||
008 | 010815s1998 000 0 eng d | ||
020 | _a0-17-443537-1 | ||
035 | _a(AEA)662267A3911111D599CB00105A6AE819 | ||
040 |
_aAEA _cAEA |
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100 |
_aShakespeare, William _d1564-1616 |
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245 | 0 |
_aTroilus and Cressida. / _cWilliam Shakespeare ; edited by David Bevington. |
|
260 |
_aUnited Kingdom : _bT. Nelson and Sons, _cc1998. |
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300 |
_axxi, _b469 p. _c20 cm. |
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520 | _aand Achilles ,the butcherer of Hector.Shaespeare's language has to deal with shattered identities ,with unstabe subjectivity of human willfulness,and with spiritual exhaustion and neurosis. | ||
520 | _aIt is a bitter play about an inclusive war and a failed love affair quite unlike anything Shakespeare had written before his romantic comedies and English history plays.Its bleak satire of political stalemate seems directed,in part at the unhappy story of the abortive rebellion of the Earl of Essex in 1601 | ||
520 | _alike many of hte warriors in Troilus and Vressida ,Essex was a tarnished hero whose charisma fell victim to his own egomaniacal ambitions and to the mood of anxious helplessness that hovered over Queen Elizabeth's last years.The play is unususally elliptical in its language ,as though Shakespeare deliberately adopted a new ,contorted style to express the unfavorable paradoxes of the poltical and psychological no-man's -land he wanted to describe . A major topic the play is fame ,or rather notoriety ,for most of Shakespeare's major characters came to him in the story with full- blown legendary identities as antiheroes:Cressida ,the faithless woman | ||
520 | _aPandarus,the go-between | ||
520 | _aTroilus ,the rejected male | ||
700 |
_aBevington, David, ed. _955741 |
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942 | _cREF | ||
999 |
_c49741 _d49741 |