000 | 01573nam a2200265Ia 4500 | ||
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001 | 85491 | ||
003 | 0000000000 | ||
005 | 20211103214457.0 | ||
008 | 051118s2002 000 0 eng d | ||
020 | _a971506213x | ||
040 |
_aAEA _cAEA _erda |
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050 |
_aPL 6165.4.R58 _b.G712 2002 |
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100 |
_aRivera, Frank G. _928178 |
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245 | 0 |
_aGothic telemovies / _cFrank G. Rivera ; editor, Arthur P. Casanova ; introduction, Rolando Esteban. |
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264 |
_aManila : _bUST Publishing House, _c[2002];copyright 2002 |
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300 |
_axvi, 222 pages ; _c23 cm. |
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336 |
_atext _2rdacontent |
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338 |
_avolume _2rdacarrier |
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505 | _a Gaano kita kamahal? -- Ciudad mistica -- Walang katapusang wakas. | ||
520 | _aGothic literature encompasses a broad category of writings, including poetry and the short story. Its most popular and actuated form, however, is the "horror" novel. Its origin is conveniently traced to Horace Walpole's Castle of Otranto in 1764, which mixes up the melodramatic and the supernatural elements. Graveyard poets, who worked up intense images and metaphors, interposed with vast landscapes, dark forests, haunted ruins, eerie rooms, monasteries, and solitary characters with melancholic fits inspired Gothic novels. Disturbing dreams, undying love, and romantic melancholia of death were among the most common themes. --From the introduction | ||
650 |
_aPhilippine drama (Filipino) _2sears _927205 |
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700 |
_aCasanova, Arthur P., _918631 |
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942 | _cIRC | ||
999 |
_c60142 _d60142 |