000 02470nam a2200361Ia 4500
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005 20211104010541.0
008 030825s2005 njua b 001 0 eng
020 _a9715424848
040 _aAEA
_cAEA
_erda
050 _aE 183.8.P6
_b.D382 2004
100 _aDelmendo, Sharon,
_d-1964
_944730
245 4 _aThe star-entangled banner :
_bone hundred years of America in the Philippines /
_cSharon Delmendo.
264 _aQuezon City :
_bUniversity of the Philippines Press,
_c[2005];copyright 2005
300 _axii, 229 pages :
_billustrations
_c24 cm.
336 _atext
_2rdacontent
338 _avolume
_2rdacarrier
500 _aOriginally published : New Brunswick, N.J. : Rutgers University Press, c2004
504 _aIncludes bibliographical references (p. 213-224) and index.
520 _a a contemporary novel by F. Sionil Jose
520 _a and the US military's retention of the Balangiga Bells, which were taken as war booty during the Philippine-American War. Ultimately, Delmendo demonstrates how the effects of US imperialim in the Philippines continue to resonate in US foreign policy in the post-Cold War era and the war on terrorism.
520 _a Back to Bataan, a World War 11 movie starring John Wayne
520 _aDuring a ceremony held in 1996 to commemorate the fiftieth anniversary of formal Philippine independence, the US flag was being raised, and the two became entangled. In The Star Entangled Banner, Sharon Delmendo demonstrates that this incident is indicative of the longstanding problematic relationship between the two countries. When faced with a national crisis or a compelling need to reestablish its autonomy, each nation paradoxically turns to its history with the order to define its place in the world. Each chapter of the book examines a separate issue in this linked history: the influence of Buffalo Bill's show on the proto-nationalism of Jose Rizal, who is often described as the "First Filipino"
520 _athe portrayal of the Philippines in an early colonial era American children's book
650 _aImperialism
650 _aNationalism
_zPhilippines
_972646
650 _aNationalism
_zUnited States
_91933
942 _cFIL
999 _c69973
_d69973