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| 001 | 175672 | ||
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| 005 | 20211104030407.0 | ||
| 008 | 110311s2008 000 0 eng d | ||
| 020 | _a9789718141151 | ||
| 035 | _a(AEA)5FAD8A249CE84BD8987239653443742B | ||
| 040 |
_aAEA _cAEA _erda |
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| 050 |
_aPL 6180.1 _b.C360 2008 |
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| 100 |
_aChancoco, Jose Jason L. _944300 |
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| 245 | 0 |
_aPagsasatubuanan : _bpoetikang Bikolnon / _cJose Jason L. Chancoco. |
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| 264 |
_aManila : _bNational Commission for Culture and the Arts, _c2008 |
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| 300 |
_axxxviii, 157 pages _c23 cm. |
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| 336 |
_atext _2rdacontent |
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| 338 |
_avolume _2rdacarrier |
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| 500 | _aIn Bikolano. | ||
| 520 | _a the book seeks to trace the 'birtud' (virtue) of indigenous Bikol poetics while recognizing the importance of foreign aesthetic influences". | ||
| 520 | _aA book of literary criticism on Bikol poetics. | ||
| 520 | _aPagsasatubuanan Poetikang Bikolnon tries to dissect the present forms of poetry in Bicol and trace their origins and influences. Chancoco, who hails from Iriga City, defines in metaphor "Pagsasatubuanan" (from the Iriganon root word "tubuanan") as "the first sprout from a pole tree seedling found to be a favorite delicacy of the kadlagan (forest) -roaming kids and much sought after during rural soirees". In the foreword, Chancoco stated that "in the midst of hybridism, post-modernism and neocolonialism | ||
| 650 |
_aBicol poetry _2sears _940853 |
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| 942 | _cIRC | ||
| 999 |
_c75172 _d75172 |
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