000 | 01752nam a2200253Ia 4500 | ||
---|---|---|---|
001 | 176634 | ||
003 | 0000000000 | ||
005 | 20211104031334.0 | ||
008 | 880523s1987 maumf b a00110bengm | ||
020 | _a316792365 | ||
035 | _a(AEA)DE6E3F21DDD74829AFB5E9DD675A7AE6 | ||
050 |
_aPN 1998.3.S63 _b.Si62 1987 |
||
100 |
_aSinclair, Andrew. _994349 |
||
245 | 0 |
_aSpiegel : _bthe man behind the pictures / _cAndrew Sinclair. |
|
260 |
_aBoston : _bLittle, Brown, _cc1987. |
||
300 |
_a162 p., [12] p. of plates : _bill. _c24 cm. |
||
500 | _aIncludes index. | ||
504 | _aBibliography: p. 145-151. | ||
520 | _a devious, clever and charming, he was "a loyal friend, a hard master and a terrible enemy." A thoroughly enjoyable work by the author of Adventures in the Skin Trade. Photos. Copyright 1987 Reed Business Information, Inc."www.shelfari.com" | ||
520 | _aGottfried Reinhardt called him a congenital crook, John Houseman said he parlayed a pack of lies into a motion picture and Arthur Schlesinger eulogized him as the last of the giants. The author of this brisk biography provides plenty of evidence to indicate that all three descriptions of Sam Spiegel may be valid. With criminal convictions in Europe and Mexican authorities on his trail, Spiegel entered the United States as an illegal alien in 1939 and went on to win three Academy Awards for producing such movies as The African Queen, On the Waterfront, The Bridge on the River Kwai and Lawrence of Arabia. Sinclair doesn't dwell so much on moviemaking per se as on Spiegel as the ultimate Hollywood hustler | ||
650 |
_aMotion picture producers and directors _zUnited States _994325 |
||
942 | _cALR | ||
999 |
_c75576 _d75576 |