000			02049nam a2200313Ia 4500
001			178057
003			0000000000
005			20211104034351.0
008			880418s1988 txum b a001 0 eng
020			_a892632674
035			_a(AEA)A95ED90C6DD245B0BF624A428B8E902C
050			_aPS 153.N5 _b.W738 1988
100			_aWintz, Cary D., _d-1943 _9110517
245		0	_aBlack culture and the Harlem Renaissance / _cCary D. Wintz.
260			_aHouston, Tex. : _bRice University Press, _cc1988.
300			_a277 p. : _bill., maps _c24 cm.
500			_aIncludes index.
504			_aBibliography: p. 233-267.
520			_aAlthough this important cultural history contains details about the lives, careers and achievements of Zora Neale Hurston, Claude McKay, Countee Cullen, Langston Hughes and many other black American writers of the 1920s and 1930s, it examines the Harlem Renaissance more as a social and intellectual movement, in a new urban setting, within the framework of earlier black social, literary and intellectual history, as well as its connections with Garveyism and other political alternatives. The study also shows how it related to black critics such as Alain Locke and Sterling Brown and to Carl Van Vechten and other members of the white literary establishment. According to Wintz, professor of history at Texas Southern University, the movement was primarily a state of mind or attitude rather than a common political, social or literary ideology or philosophya sense of community, "a feeling that they were all part of the same endeavor." Copyright 1988 Reed Business Information, Inc."ww.shelfari.com"
650			_aAfrican American arts _9108546
650			_aAfrican Americans
650			_aAfrican Americans in literature. _9107302
650			_aAmerican literature
650			_aAmerican literature _zNew York (N.Y.) _9110518
650			_aAmerican literature _zNew York (N.Y.) _9110518
650			_aHarlem Renaissance. _96584
942			_cALR
999			_c76819 _d76819