000			02549nam a2200325Ia 4500
001			216906
003			0000000000
005			20211104050300.0
008			120423s2012 ph b 000 0 eng
020			_a9789715066471
050			_aN 7327 _b.B219 2012
100			_aBaluyut, Pearlie Rose S. _945690
245		0	_aInstitutions and icons of patronage : _barts and culture in the Philippines during the Marcos years, 1965-1986 / _cPearlie Rose S. Baluyut.
260			_aManila : _bUST Pub. House, _c2012
300			_axii, 175 p. _c23 cm.
504			_aIncludes bibliographical references (p. 162-175).
520			_aBased on primary documents and interviews, Baluyut's book, Institutions and Icons of Patronage: Arts and Culture in the Philippines during the Marcos Years, 1965-1986, seeks to understand the politics and aesthetics of Ferdinand and Imelda Marcos' rule through the Cultural Center of the Philippines, the Philippine High School for the Arts, and the National Museum of the Philippines. As institutional elaborations of the concept and existing modes of reciprocity, these were established and/or restructured to promote national art and culture. Rather than interpret the Marcoses' support only as political propaganda, Baluyut construes their rhetoric and gestures as a spectacular performance as patrons and icons, engendering both defiance and reverence among their constituents. Through formal and contextual analyses of visual and verbal representation, this book signifies a critical reversal of the damnatio memoriae committed against Ferdinand and Imelda Marcos in Philippine art history and serves as a timely reminder of reciprocity and/as vengeance at the specter of a Marcos restoration. (Source: http://web.international.ucla.edu/institute/event/9463)
650			_aArt History _zPhilippines. _2sears _9114655
650			_aArt _zPhilippines. _2sears _961135
650			_aCultural Center of the Philippines (CCP) _zPhilippines. _2sears _9114656
650			_aMuseum Studies _2sears _945693
942			_cFIL
999			_c80309 _d80309