000			02016nam a2200265Ia 4500
001			251017
003			0000000000
005			20211104063026.0
008			140425n 000 0 eng d
020			_a9789715066389
040			_erda
050			_aML 330 _b.Sa59 2012
100			_aSantos, Ramon Pagayon. _944044
245		0	_aLaon-laon : _bperspectives in transmission and pedagogy of musical traditions in post-colonial Southeast Asia / _cRamon Pagayon Santos.
264			_aManila : _bUST Publishing House, _c2012.;©2012.
300			_ax, 213 pages : _billustrations _c23 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
520			_aLaon-Laon is a compilation of studies and observations on the transformative states of transmission of traditional artistic practices in the Philippines, Thailand, and Indonesia. By studying acculturative issues, especially in the context of colonization and globalization, a wide ontology of confluences and agencies converge under three major factors by which musical traditions and their expressive and cultural properties could be either undermined, eroded, or dramatically altered or preserved and developed for future generations through creative negotiation and exploration. Thus, the book focuses on three basic contributors to the element of change and continuity in the realm of music transmission: the human resources, the institutional agency, and the social envorinment. The book further attempts to expand the epistemic compass by which musical cultures of Asia have been viewed and investigated through ethnomusicology, which does not fully address the issue of transmission from a composite viewpoint involving aspects of ethnology, history, sociology, education, and systematic musicology.
650			_aMusic _zSoutheast Asia. _2sears _9118811
650			_aMusic _zSoutheast Asia. _2sears _9118812
942			_cIRC
999			_c84087 _d84087